DONNA DODSON: Two Sculptors in Two Dimensions

Sunday, March 25, 2012

Two Sculptors in Two Dimensions

Exhibition Date: April 3 – April 28, 2012
Panel Discussion: April 14, 2-3pm
Exhibition Reception: April 14, 3-6pm

Two Sculptors in Two Dimensions
Donna Dodson and Andy Moerlein

Donna Dodson and Andy Moerlein are creative forces to be reckoned with, and 119 Gallery is pleased to rein a portion of their individual and collective energies into the gallery this spring. Two Sculptors in Two Dimensions is a multi-media look at the converging and diverging paths, sensibilities, and media of these two artists, whose work runs the gamut from monumental outdoor sculpture to intimate statues, and compositions. Energy and composure proliferate in Dodson’s and Moerlein’s individual and collaborative work.

Both sculptors in wood, Dodson and Moerlein began working together several years ago. Since that time, they have shared artistic goals to realize their individual and joint creative efforts. Energized by their merger, they have undertaken large, public works, as well as individual series of prints and sculptures with corresponding themes. Their jointly created outdoor moose sculptures of wood saplings can be viewed towering majestically in downtown Nashua and Portsmouth, New Hampshire. This public art project was followed by simultaneous residencies by the artists in the Swiss Alps. In Verbier, Switzerland, Dodson and Moerlien each created their own monumental sculptures. Listening to nature and their intuition, their pieces are as much a part of their environment, as in it. At the same time, these sculptures are intrinsically connected to each artist’s own body of work.

The experimental nature of Dodson’s two dimensional works represents uncharted paths for the sculptor. Dodson’s totemic animal goddess sculptures result from the methodical decisions and actions she makes wielding chainsaw and chisel to shape the wood, while interacting with its grain to create her forms in a fluid fashion. Her spontaneous prints and drawings allow viewers a unique glimpse into her sculptural process. This series of abstracted animal figures reveals her process of using two-dimensional works to explore various possibilities of form and color normally restricted by sculptural materials.

The natural forces found in Moerlein’s sculptures and prints are universal and powerful. Using earthy and spiritual elements, his organic creations are vessels of personal symbolism. Upon close examination his message reveals stories of personal conflict and perseverance. Juxtaposing mass and color, his prints are tenuously balanced with the same finesse as his gravity challenging constructions. Suspended in tenuous and powerful arrangements, they remind us of the strength and frailty which we find in our lives and the universe.

The different approaches and shared paths of Dodson and Moerlein’s art reveal a mystical unity they channel from the cosmos, as well as from the natural and animal world. With attuned intuition and inspiration, their art is balanced in natural harmony. “Birds of a feather,” the artists take wing in divergent, intersecting, and parallel directions. They will host a panel discussion about collaboration, shared effort, and individual vision prior to the exhibit reception, on Sat April 14, at 2 pm.

Saturday April 14, 2pm
Panel Discussion: Collaboration

In conjunction with
Donna Dodson and Andy Moerlein
Two Artists in Two Dimensions

Reception to follow at 3pm

119 Gallery fosters innovative cooperation between artists, musicians, dancers, performers, video artists and creative thinkers. As part of Two Artists in Two Dimensions, the gallery is pleased to host several notable artists' teams, who will share images of their work and discuss their experiences as collaborators.

The panelists are: Margot Stage and David Crane; Rick Breault and Elaine Wood; Tim Winn and Zehra Kahn; Donna Dodson and Andy Moerlein. The moderator is Walter Wright.

The panel will consider these and other questions:
How does the team develop concepts?
How do you negotiate aesthetic decisions?
How do you manage work flow - responsibilities - labor?
What is your team's studio arrangement?
What are the advantages of collaborating?
What is the team's story?...and more

Donna Dodson and Andy Moerlein are creative forces to be reckoned with, and 119 Gallery is pleased to rein a portion of their individual and collective energies into the gallery this spring. Two Sculptors in Two Dimensions is a multi-media look at the converging and diverging paths, sensibilities, and media of these two artists, whose work runs the gamut from monumental outdoor sculpture to intimate statues, and compositions.

Dodson and Moerlein are exhibiting in Boston Sculptors Celebrates Its 20th Anniversary, in the University Gallery at UMASS Lowell, April 2 – 26. Reception: April 4, 5 – 7 pm.

Update: I wrote a summary of the panel discussion that was published on the Boston Globe's blog: Global Business Hub titled, Arts Collaborations: Greater than the sum of their parts and the audio recording of the panel discussion can be found here.

Images: Pandas III, 18"x24", monotype 2010, Panda Bear, 16" tall, wood, paint 2010

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Artist Statement

‘My artwork celebrates the mystical relationship between human beings and the animal kingdom. Because there were no icons of women in the church that I grew up in, my vision is to create them. Through hybrid female-animal forms that I sculpt in wood, I flesh out sensuality, sexuality and soul with a well-proportioned figurative vocabulary. The natural grain of the wood interacts with the form and shape of my sculptures in a descriptive way, suggesting nostrils, and nipples or garments and fabric textures. I often stylize each piece to enhance the girl, woman, princess, queen or goddess within. The mouths, or in some cases beaks, are closed symbolizing the mysteries they embody. These figures are sculpted in sizes ranging from the intimate to the monumental. I use color in both subtle and bold ways to activate each piece. My inspiration comes from ancient iconography and mythological imagery.’

About

Donna Dodson has been carving images out of wood for nearly 20 years. Her sculptures explore feminine beauty and evoke humor and playfulness but also grace, power and emotional strength. Her unique vision responds to the relation of animals to the human spirit that have existed since ancient times. Her figures are almost always female and range in size from the intimate to the monumental.

Dodson’s pre-med studies and her passion for Egyptian art led her to study wood and stone sculpture. African sculptures and Native American totems also influence her work.

She uses logs of osage orange wood from her grandfather’s farm in Illinois, and ash, cherry, locust and maple from New England.

Dodson has worked in a series using an elephant headed goddess to explore female figureheads in positions of power. Recently, Dodson created large scale outdoor pieces, engaging in a public dialogue about her work. The site became a more prevalent theme. Today, Dodson has returned to creating statement pieces such as a cardinal goddess for the women of the Catholic Church who aspire to be ordained and Madam President- a monument to the first female president of the USA.

Bio

Donna Dodson is an American sculptor who has exhibited her artwork around the world. Dodson has completed successful residencies in Verbier Switzerland, Cusco Peru, Keelung Taiwan and Ringkoebing Denmark. Donna is currently a Scholar at the Brandeis University Women’s Studies Research Center and a Fellow at the St Botolph Club in Boston. Dodson’s recent show, “Sheroes” at the Boston Sculptors Gallery was met with critical acclaim. Donna was a 2022 Fulbright US Scholar at Q21/MuseumsQuartier in Vienna Austria working as an artist in residence with her host institution Tricky Women/Tricky Realities, the world’s only animation festival for women. Dodson has won grants from the Puffin Foundation, Massachusetts Cultural Council, the New Hampshire Guild of Woodworkers and the George Sugarman Foundation. Her work is in the permanent collection of the World Chess Hall of Fame in St Louis Missouri, the Provincetown Art Museum, the Art Complex Museum and the Fuller Craft Museum in Massachusetts, The Noyes Art Museum in New Jersey and the Davistown Museum in Maine. Donna's work has been reviewed in the Boston Globe, Sculpture Magazine, The Daily Beast, Hyperallergic and Artnet. She is currently represented by the Abigail Ogilvy Gallery in Boston and Los Angeles. She is a former member of the Boston Sculptors Gallery. Dodson is a graduate of Wellesley College. Donna is a freelance writer whose articles in newspapers, magazines and blogs demonstrate the economic impact and global reach of the Boston arts sector. Her recent paper, “What do we call courageous women” was presented at the Society for Classical Studies annual meeting in 2022 and was published in Queering the Amazons a special issue of the Journal of Lesbian Studies.

Inspirations

"There is a crack in everything, that's how the light gets in."

-Leonard Cohen

"... I think one's art goes only as far and as deep as [one's] love goes..."

-Andrew Wyeth

"art is valuable because it challenges, inspires, and enables us to see ourselves in much more interesting ways"
-Mickey Cartin

" the thing that I had to do was to ... work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist."
-Ed Paschke

“Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.”
-Steve Jobs

"...remember that collecting art is an act of love. It isn’t about what you pay for a work, or how rich (or not) you become when you one day sell it, but the depth of your enjoyment in the time you live with it."
-Abigail R. Esman

"[Patronage] is a gift, in the form of money, in exchange for [my] gift, in the form of music."

-Amanda Palmer

"Art is the crucial interface between the imagination and reality, the thing that makes life deeper and broader than what it might be without such insight."

-Todd Levin

"If they hadn't told me I was ugly, I would never have searched for my beauty."

-Gabourey Sidibe

"Never grow a wishbone, daughter, where your backbone ought to be."

-Clementine Paddleford

Great artists “must be shaken by the naked truths that will not be comforted. This divine discontent, this disequilibrium, this state of inner tension is the source of artistic energy.”

-Humphrey Trevelyan

"Life should be lived so vividly and intensely that thoughts of another life or of a longer life are not necessary."

-Marjory Stoneman Douglas

“When people say that poetry is a luxury, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language - and that is what poetry is.” Jeannette Winterson

Artistic Process

When I start a piece of work I need to evoke such a strong feeling about each piece that I can dare to listen to the piece, to make mistakes - to just create. It is the emotional investment in the act of creation that crystallizes the work for me.

Sometimes the idea or concept comes first, and I imagine what the piece will be when completed. More often I work from intuition. Once completed I see the intentions behind the piece, or the desire from which it is born. Artists who inspire me include Jessica Stockholder and Katharina Fritsch. Stockholder uses color as a transformational visual device, changing the way we see form. Fritsch creates sculptures of sacred figures that become pop-icons through her use of color. In the same way I work with various kinds and grains of wood accented by color.

My artwork is about self expression, autobiography, and self redemption. Each sculpture is independent and heroic, but each is connected to the body of my total work. Each is made greater and honored by its association with those that have preceded it, but keeps its own sacred identity. Each reflects my realization that I am a self-made woman.

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Sunday, March 25, 2012

Two Sculptors in Two Dimensions

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