DONNA DODSON: Spring News Update

Tuesday, April 14, 2020

Spring News Update

In light of the many disruptions from the corona virus that we are all experiencing, I wanted to post some updates from my studio and from the Myth Makers. Note: all dates listed below are tentative.

Cate McQuaid featured my instagram page in the Boston Sunday Globe April 5th, 2020
"Stuck at Home, these Boston Artists are doing great things on Instagram"

Interpreting the Natural, an exhibition curated by Donna Dodson. This show has been postponed to August/September 2020. Stay tuned for more details as they unfold.

LES Gallery at The Clemente Center, 107 Suffolk St, New York, NY 10002

Gallery Hours: Wed-Sun 12pm-7pm, http://www.theclementecenter.org/

Exhibition website: https://interpretingthenatural.blogspot.com/

Interpreting the Natural: Contemporary Visions of Scholars' Rocks will feature recent artwork by eleven award-winning artists: Laura Cannamela, Mark Cooper, Furen Dai, Christopher Frost, JooLee Kang, Woomin Kim, Karen Krieger, Susan Meyer, Andy Moerlein, Laura Moriarty, and Elisa Pritzker alongside traditional stones from the collection of the renowned scholar Kemin Hu. Informed by each artist’s enthusiasm for ancient scholars’ rocks or viewing stones, the exhibition will include sculptures in ceramic, wood, wax, concrete, embroidery and mixed media, in addition to ink and digital drawings, encaustic paintings and stone installations. This show will have concurrent exhibitions in New York City at the Korean Cultural Center in September/October 2020 and at the Clemente Center in NYC Aug/Sep '20.

On view 24/7 at the Boston Sculptors Gallery, 486 Harrison Ave, Boston. New works in the windows- wood, 3D prints, bronze. Drive by and shop from a safe social distance. The gallery is closed. Please contact bostonsculptors@yahoo.com for more information or to make a purchase.

New work @ Clark Gallery in Lincoln, Mass., in the windows 24/7. The doors to the gallery remain ajar and they continue to safely welcome art followers by chance and by appointment. Call first,617-386-6115. Note: The gallery safely delivers and installs new acquisitions while following all prescribed social distancing guidelines.

New works in bronze: L to R: Walking Rhino, Pregnant Kangaroo, Elephant Princess and Elephant Nun. Please contact me directly for more information or to make a purchase, donnadodsonartist@gmail.com.

New work in Alabaster: Cardinal Mother. Available at Georgia Blue Gallery in Anchorage, Alaska. The gallery is currently closed. Please call for an appointment, 907-563-2787, or visit their website to view work online, http://georgiabluegallery.com.

Coming up in September 2020: new work at 3 Stones Gallery in West Concord, Massachusetts.

SAVE THE DATE: The Amazons are coming to the Boston Sculptors Gallery in Dec 2020-Jan 2021!

News from the Myth Makers:

The Phoenix Festival for "A New View Camden" has been postponed to April 2021...
We were selected as one of 8 finalists for a prestigious national competition: the Bloomberg Philanthropies Public Art Challenge in Camden New Jersey. Each artist team is responsible for addressing the problem of illegal dumping, educating the community about solutions and imagining a new vision for the city landscape.
Camden reveals 8 artists selected to bring ‘a new view’ to city
Six Artful Ways Camden Will Transform Prior Illegal Dumping Sites
‘A New View Camden’: $1M Bloomberg Challenge Reclaims Urban Dumping Grounds with Public Art
Camden’s new view: Here are 8 new public art projects coming this summer
Who'll give Camden 'A New View'? Artists selected for installations throughout city
Camden wins Bloomberg Philanthropies Public Art grant

Flannery's Peacock has been postponed ... stay tuned for more details as they unfold.
Coming up at the Atlanta Botanical Garden, Gainesville, Georgia: Flannery's Peacock, a tribute to Flannery O'Connor and her beloved peacocks.

I hope everyone is staying safe, sane and healthy during this crisis.

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Artist Statement

‘My artwork celebrates the mystical relationship between human beings and the animal kingdom. Because there were no icons of women in the church that I grew up in, my vision is to create them. Through hybrid female-animal forms that I sculpt in wood, I flesh out sensuality, sexuality and soul with a well-proportioned figurative vocabulary. The natural grain of the wood interacts with the form and shape of my sculptures in a descriptive way, suggesting nostrils, and nipples or garments and fabric textures. I often stylize each piece to enhance the girl, woman, princess, queen or goddess within. The mouths, or in some cases beaks, are closed symbolizing the mysteries they embody. These figures are sculpted in sizes ranging from the intimate to the monumental. I use color in both subtle and bold ways to activate each piece. My inspiration comes from ancient iconography and mythological imagery.’

About

Donna Dodson has been carving images out of wood for nearly 20 years. Her sculptures explore feminine beauty and evoke humor and playfulness but also grace, power and emotional strength. Her unique vision responds to the relation of animals to the human spirit that have existed since ancient times. Her figures are almost always female and range in size from the intimate to the monumental.

Dodson’s pre-med studies and her passion for Egyptian art led her to study wood and stone sculpture. African sculptures and Native American totems also influence her work.

She uses logs of osage orange wood from her grandfather’s farm in Illinois, and ash, cherry, locust and maple from New England.

Dodson has worked in a series using an elephant headed goddess to explore female figureheads in positions of power. Recently, Dodson created large scale outdoor pieces, engaging in a public dialogue about her work. The site became a more prevalent theme. Today, Dodson has returned to creating statement pieces such as a cardinal goddess for the women of the Catholic Church who aspire to be ordained and Madam President- a monument to the first female president of the USA.

Bio

Donna Dodson is an American sculptor who has exhibited her artwork around the world. Dodson has completed successful residencies in Verbier Switzerland, Cusco Peru, Keelung Taiwan and Ringkoebing Denmark. Donna is currently a Resident Scholar at the Brandeis University Women’s Studies Research Center and a Visual Art Fellow at the St Botolph Club in Boston. Dodson’s recent show, “The Amazons Among Us” at the Boston Sculptors Gallery was met with critical acclaim. Donna was a 2022 Fulbright US Scholar at Q21/MuseumsQuartier in Vienna Austria working as an artist in residence with her host institution Tricky Women/Tricky Realities, the world’s only animation festival for women. Dodson has won grants from the Puffin Foundation, Massachusetts Cultural Council, the New Hampshire Guild of Woodworkers and the George Sugarman Foundation. Her work is in the permanent collection of the Provincetown Art Museum, the Art Complex Museum and the Fuller Craft Museum in Massachusetts, The Noyes Art Museum in New Jersey and the Davistown Museum in Maine. Donna's work has been reviewed in the Boston Globe, Sculpture Magazine, The Daily Beast, Hyperallergic and Artnet. She is a member of the Boston Sculptors Gallery, the nation’s only sculpture cooperative that maintains its own gallery space. Dodson is a graduate of Wellesley College. She enjoys public speaking, and has been a guest speaker at conferences throughout North America. Donna is a freelance writer whose articles in newspapers, magazines and blogs demonstrate the economic impact and global reach of the arts sector. Her recent paper, “What do we call courageous women” was presented at the Society for Classical Studies annual meeting in 2022 and is pending publication in a special issue of the Journal of Lesbian Studies, Queering the Amazons.

Inspirations

"There is a crack in everything, that's how the light gets in."

-Leonard Cohen

"... I think one's art goes only as far and as deep as [one's] love goes..."

-Andrew Wyeth

"art is valuable because it challenges, inspires, and enables us to see ourselves in much more interesting ways"
-Mickey Cartin

" the thing that I had to do was to ... work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist."
-Ed Paschke

“Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.”
-Steve Jobs

"...remember that collecting art is an act of love. It isn’t about what you pay for a work, or how rich (or not) you become when you one day sell it, but the depth of your enjoyment in the time you live with it."
-Abigail R. Esman

"[Patronage] is a gift, in the form of money, in exchange for [my] gift, in the form of music."

-Amanda Palmer

"Art is the crucial interface between the imagination and reality, the thing that makes life deeper and broader than what it might be without such insight."

-Todd Levin

"If they hadn't told me I was ugly, I would never have searched for my beauty."

-Gabourey Sidibe

"Never grow a wishbone, daughter, where your backbone ought to be."

-Clementine Paddleford

Great artists “must be shaken by the naked truths that will not be comforted. This divine discontent, this disequilibrium, this state of inner tension is the source of artistic energy.”

-Humphrey Trevelyan

"Life should be lived so vividly and intensely that thoughts of another life or of a longer life are not necessary."

-Marjory Stoneman Douglas

“When people say that poetry is a luxury, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language - and that is what poetry is.” Jeannette Winterson

Artistic Process

When I start a piece of work I need to evoke such a strong feeling about each piece that I can dare to listen to the piece, to make mistakes - to just create. It is the emotional investment in the act of creation that crystallizes the work for me.

Sometimes the idea or concept comes first, and I imagine what the piece will be when completed. More often I work from intuition. Once completed I see the intentions behind the piece, or the desire from which it is born. Artists who inspire me include Jessica Stockholder and Katharina Fritsch. Stockholder uses color as a transformational visual device, changing the way we see form. Fritsch creates sculptures of sacred figures that become pop-icons through her use of color. In the same way I work with various kinds and grains of wood accented by color.

My artwork is about self expression, autobiography, and self redemption. Each sculpture is independent and heroic, but each is connected to the body of my total work. Each is made greater and honored by its association with those that have preceded it, but keeps its own sacred identity. Each reflects my realization that I am a self-made woman.

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Tuesday, April 14, 2020

Spring News Update

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