Tuesday, September 5, 2017

Autumn News

This summer was full of international travel and art making in Denmark and Taiwan. 

In June, The Myth Makers built the Widow's Walk in New Bedford, Massachusetts for the Seaport Art Walk. The concept for the Seaport Art Walk this year is Sustainable Oceans and it is curated by Jessica Bregoli. Our piece is called the Widow's Walk and it is a mythical cormorant figure of a widow contemplating the uncertain future of our oceans in much the same way as sailor's spouses used to anticipate their return. We used recycled black plastic to simulate to the cormorant's black feathers and to draw attention the gyre and the pollution of our oceans with plastic waste that threatens sea life and the sustainability of our fisheries. This piece is on view through October. 

The Widow's Walk, 20 ft tall 2017, bamboo, saplings, wire,
recycled plastic, wire mesh, zip ties

In July, Andy Moerlein and I went to Ringkobing Denmark to participate in the 2017 International Woodsculpture Symposium along with nine talented artists: Watch a timelapse of the project.

Mrs. Donna Dodson, USA
Mr. Janos Drienyovszki, Hungary

Mr. Thomas Lüscher, Switzerland
Mr. Nikolay Martinov, Bulgaria

Mrs. Laura Guzmàn Mèndez
Mr. Toomas Mitt, Estonia
Mr. Andy Moerlein. USA
Mr. Kuldar Moor, Estonia

Mr. Otto Pilgaard, Denmark
Mrs. Maria Christina Rommel, Argentina
Mr. Ormar Tamm, Estonia

Artscope featured my experiences in the current issue of the magazine, Andy Moerlein shared his experiences on the Boston Sculptors Gallery blog and we made an appearance on Danish TV!


The Danish Baby Bringer, 9ft tall, oak, 2017

Andy Moerlein's "Scholar's Rock" 9 ft tall, oak, 2017

In August, The Myth Makers were invited to be the Artists in Residence at the Keelung National Museum of Marine Science & Technology in Taiwan. Organized by Jane Ingram Allen, this International Marine Environment Art Project invites artists from the USA, Europe and Taiwan to complete monumental public works that connect art and science. 



We worked with three groups of volunteers to complete our project on site. We also worked with the local students at the Keelung National Senior High School and shared our process of art making. We used a puppet making curriculum where each student made two animal headed avatars, one representing their favorite animal self and one representing a secret animal self. Then the students wrote myths and stories and acted out plays with their puppet avatars. On the last day we worked in teams demonstrating bamboo techniques and the students built a bamboo environment at the center of their school campus.


During the month long residency, our own sculpture transformed from its original idea into something new and site specific. We arrived eager to learn more about bamboo as a sculpture medium. We had visions of continuing our globe embracing mission to advocate for sustainable ocean resources. We expected to build a twin to our New Bedford MA Widow's Walk. 



We began conversations about fishermen and our American whaling traditions. We talked about the architecture and dress of 18th Century America with our Taiwanese hosts and friends. We could not seem to reach a clear understanding. When we mentioned cormorants, they were puzzled. This was not a familiar bird. We found ourselves with a lot of ideas that perhaps did not belong.



We built a majestic female figure using bamboo techniques learned from Keelung's 85 year old Bamboo Master. We asked everyone we encountered in the ocean side fishing village,"What bird symbolizes the vast ocean ecology?" The Albatross stood out. The albatross is sometimes used metaphorically to mean a psychological burden that feels like a curse. This is an allusion to Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner (1798). The albatross is a natural anomaly - a bird that flies all the world's oceans on wings that are up to 12 feet (3.3 meters). The albatross chick can stay at sea for up to five years before finding their way home to begin a lifelong mating. Birds that lose their mates do not breed again. A majestic and storied bird, the albatross was just the poetic symbol we sought for our work at NMMST in Keelung Taiwan: Watch the brief project video.

The Intrepid Albatross, 20 ft tall, 2017
bamboo, wire ties, recycled rubber, mirrors

She stands facing the sea, like generations of sailor's wives. The Intrepid Albatross is optimistic for the ocean's future bounty, yet she feels uncertain about the sustainability of this massive rich resource. Like the Myth Makers, she believes in a world where all nations contract together to protect and celebrate the sea's vitality. This is one of a series of monumental temporary sculptures in a globe embracing project by The Myth Makers.