DONNA DODSON

Tuesday, June 19, 2012

Rockfire

The Elemental Experience at Millstone Hill 59 Little John Road, Websterville, VT Saturday, June 23, 2012 • 2pm to 11pm

The Flaming Vulture of Rockfire, Vermont
http://www.rockfirevt.com/

Friday June 22nd- The artists Andy Moerlein & Donna Dodson will be on site building a 20 ft wide by 10 ft long soaring vulture with saplings and straw in anticipation of the performance and ritual burning on Saturday June 23rd.

Saturday, June 23rd- 10pm The artists, Moerlein & Dodson will light the soaring vulture as it soars aflame into infinity, burning itself into collective memory with a fiery flaming line that recedes into a smoldering ember.

The vulture is a hunter in the valley, cliffs , mountains & forests. With its ever watchful eye. Its presence provokes death, when carrion rests nearby. The profile of the vulture is its signature. The fire sculpture will celebrate this winged creature, in a temporary piece made up of natural materials- here, inspiring awe and then gone.

Update: Julie Orfirer captured the event on video.

Monday, June 11, 2012

Our Shared Planet

The Animal Kingdom Portrayed Curated by Ronnie Gould June 19 — July 9, 2012 Parsons Gallery Lexington Arts and Crafts Society, Inc. 130 Waltham Street Lexington MA 02421

“Our Shared Planet” expresses our joy and celebration that we feel towards animals as well as serving as a commentary on the condition and frailty of our world. The undeniable connection between us and the rest of the animal kingdom has inspired artists through the ages since cave paintings.Nineteen celebrated New England artists working in mediums varying from traditional paintings to cutting edge materials are now exhibiting works ranging from birds and dogs to African wildlife and sea creatures.

The artists: Alice Abrams, Jane Dahmen, Donna Dodson, Erick Durant, Shane Fero, Kathryn Field, Gay Freeborn, Ronnie Gould, Suzanne Grey, Bob Hesse, Alison Lauriat, Madeleine Lord, Michelle Louge, Andy Moerlein, Dawn Mostow, Steve Murphy, Ilene Richard, Tom Whelan, Nancy Whitin.

Upon viewing the pieces the visitor experiences different emotions based on the philosophy and presentation of the artist involved. Some pieces evoke empathy, others humor, others yet a sudden awareness of our impact on the world.

Reception: June 24, 2012, 5-7 p.m. Guest Speaker: Chris Leahy from the Mass Audubon Society. A professional conservationist for more than thirty years and served as Director of Mass Audubon’s Center for Biological Conservation.

Lilac Rhino, 26" tall, wood, pigment, paint 2003 by Donna Dodson Photo Credit: Cliff Pfeiffer

Lilac Rhino was inspired by the colors on the Morton Salt Girl. She strides nonchalantly through life, singing in the rain, open hearted and stepping out to greet, life, come what may.

Tuesday, May 29, 2012

THE SEER

The Breakneck Road at Hulls Cove has been a summer rendezvous for Native Americans as long as memory exists. On this very spot, Samuel D. Champlain landed in 1604- the first of a tsunami of European visitors to this fragile ecosystem. Owl has seen the world change and has a message for humankind. Step into the sacred space and listen. If you open your heart, Owl has advice to share.

By Donna Dodson & Andy Moerlein

2012 Artists in Residence
Hulls Cove Sculpture Garden
17 Breakneck Road
Bar Harbor, Maine

The Seer, 18 ft tall, saplings, 2012

Wednesday, May 16, 2012

TREE WORK An Arboreal Celebration

May 25 - June 30 2012
Opening Reception, Friday May 25th 5p-8p

Harbor Square Gallery 374 Main St Rockland Maine http://www.harborsquaregallery.com/

I am honored to announce my work has been selected for exhibition at the Harbor Square Gallery in Rockland Maine by the owner, Thomas O'Donovan. This summer, the gallery is presenting "Tree Work: an arboreal celebration." Proceeds from the sale of the work will go towards helping the city of Rockland replace trees in the city. The exhibition will include works in a variety of media celebrating trees and forests- the centerpiece being the oils of Donald Rainville. Participating artists include Harold Garde, Cabot Lyford, Lee Lawson, Ben McGinnis, Imero Gobbato, Eric Hopkins, Joyce Tenneson, Thomas O'Donovan and David Blackwood.

Madam Elephant is the leader of the pack and a matriarch of the family. Head strong and iron-willed, like the tree she came from, yet green- still cutting her teeth. If women could be the president of the United States, their proper title of address would be Madam President. Regally adorned like a Head of State with jewel-like tusks and polished toenails. She decides who to be, a trophy or a hunter.

Image: Madam Elephant, 38" tall, wood, paint by Donna Dodson, Photo credit: Bruno Giust

Sunday, April 29, 2012

Boston Sculptors Windows Gallery

This summer I will be exhibiting four of my small scale limited edition bronze sculptures at the Boston Sculptors Gallery in the front windows. My work will be on view from May 1, 2012 - September 10, 2012 in this new mini gallery space that was designed to feature small works by artists who are members of the gallery. Save the date for the upcoming SOWA First Friday receptions on May 4, June 1, July 6, August 3 and September 7 from 5-8pm. Boston Sculptors Gallery is located at 486 Harrison Ave., Boston, MA 02118. For more information visit www.bostonsculptors.com.

Asian Elephant, 6" tall, bronze on limestone base, 2012

Elephant Princess, 6" tall, bronze on limestone base, 2012

Lilac Rhino, 6" tall, bronze on limestone base, 2012

Pregnant Kangaroo, 6" tall, bronze on limestone base, 2012

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Artist Statement

‘My artwork celebrates the mystical relationship between human beings and the animal kingdom. Because there were no icons of women in the church that I grew up in, my vision is to create them. Through hybrid female-animal forms that I sculpt in wood, I flesh out sensuality, sexuality and soul with a well-proportioned figurative vocabulary. The natural grain of the wood interacts with the form and shape of my sculptures in a descriptive way, suggesting nostrils, and nipples or garments and fabric textures. I often stylize each piece to enhance the girl, woman, princess, queen or goddess within. The mouths, or in some cases beaks, are closed symbolizing the mysteries they embody. These figures are sculpted in sizes ranging from the intimate to the monumental. I use color in both subtle and bold ways to activate each piece. My inspiration comes from ancient iconography and mythological imagery.’

About

Donna Dodson has been carving images out of wood for nearly 20 years. Her sculptures explore feminine beauty and evoke humor and playfulness but also grace, power and emotional strength. Her unique vision responds to the relation of animals to the human spirit that have existed since ancient times. Her figures are almost always female and range in size from the intimate to the monumental.

Dodson’s pre-med studies and her passion for Egyptian art led her to study wood and stone sculpture. African sculptures and Native American totems also influence her work.

She uses logs of osage orange wood from her grandfather’s farm in Illinois, and ash, cherry, locust and maple from New England.

Dodson has worked in a series using an elephant headed goddess to explore female figureheads in positions of power. Recently, Dodson created large scale outdoor pieces, engaging in a public dialogue about her work. The site became a more prevalent theme. Today, Dodson has returned to creating statement pieces such as a cardinal goddess for the women of the Catholic Church who aspire to be ordained and Madam President- a monument to the first female president of the USA.

Bio

Donna Dodson is an American sculptor who has exhibited her artwork around the world. Dodson has completed successful residencies in Verbier Switzerland, Cusco Peru, Keelung Taiwan and Ringkoebing Denmark. Donna is currently a Scholar at the Brandeis University Women’s Studies Research Center and a Fellow at the St Botolph Club in Boston. Dodson’s recent show, “Sheroes” at the Boston Sculptors Gallery was met with critical acclaim. Donna was a 2022 Fulbright US Scholar at Q21/MuseumsQuartier in Vienna Austria working as an artist in residence with her host institution Tricky Women/Tricky Realities, the world’s only animation festival for women. Dodson has won grants from the Puffin Foundation, Massachusetts Cultural Council, the New Hampshire Guild of Woodworkers and the George Sugarman Foundation. Her work is in the permanent collection of the World Chess Hall of Fame in St Louis Missouri, the Provincetown Art Museum, the Art Complex Museum and the Fuller Craft Museum in Massachusetts, The Noyes Art Museum in New Jersey and the Davistown Museum in Maine. Donna's work has been reviewed in the Boston Globe, Sculpture Magazine, The Daily Beast, Hyperallergic and Artnet. She is currently represented by the Abigail Ogilvy Gallery in Boston and Los Angeles. She is a former member of the Boston Sculptors Gallery. Dodson is a graduate of Wellesley College. Donna is a freelance writer whose articles in newspapers, magazines and blogs demonstrate the economic impact and global reach of the Boston arts sector. Her recent paper, “What do we call courageous women” was presented at the Society for Classical Studies annual meeting in 2022 and was published in Queering the Amazons a special issue of the Journal of Lesbian Studies.

Inspirations

"There is a crack in everything, that's how the light gets in."

-Leonard Cohen

"... I think one's art goes only as far and as deep as [one's] love goes..."

-Andrew Wyeth

"art is valuable because it challenges, inspires, and enables us to see ourselves in much more interesting ways"
-Mickey Cartin

" the thing that I had to do was to ... work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist."
-Ed Paschke

“Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.”
-Steve Jobs

"...remember that collecting art is an act of love. It isn’t about what you pay for a work, or how rich (or not) you become when you one day sell it, but the depth of your enjoyment in the time you live with it."
-Abigail R. Esman

"[Patronage] is a gift, in the form of money, in exchange for [my] gift, in the form of music."

-Amanda Palmer

"Art is the crucial interface between the imagination and reality, the thing that makes life deeper and broader than what it might be without such insight."

-Todd Levin

"If they hadn't told me I was ugly, I would never have searched for my beauty."

-Gabourey Sidibe

"Never grow a wishbone, daughter, where your backbone ought to be."

-Clementine Paddleford

Great artists “must be shaken by the naked truths that will not be comforted. This divine discontent, this disequilibrium, this state of inner tension is the source of artistic energy.”

-Humphrey Trevelyan

"Life should be lived so vividly and intensely that thoughts of another life or of a longer life are not necessary."

-Marjory Stoneman Douglas

“When people say that poetry is a luxury, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language - and that is what poetry is.” Jeannette Winterson

Artistic Process

When I start a piece of work I need to evoke such a strong feeling about each piece that I can dare to listen to the piece, to make mistakes - to just create. It is the emotional investment in the act of creation that crystallizes the work for me.

Sometimes the idea or concept comes first, and I imagine what the piece will be when completed. More often I work from intuition. Once completed I see the intentions behind the piece, or the desire from which it is born. Artists who inspire me include Jessica Stockholder and Katharina Fritsch. Stockholder uses color as a transformational visual device, changing the way we see form. Fritsch creates sculptures of sacred figures that become pop-icons through her use of color. In the same way I work with various kinds and grains of wood accented by color.

My artwork is about self expression, autobiography, and self redemption. Each sculpture is independent and heroic, but each is connected to the body of my total work. Each is made greater and honored by its association with those that have preceded it, but keeps its own sacred identity. Each reflects my realization that I am a self-made woman.

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