DONNA DODSON: October News

Wednesday, September 25, 2013

October News

Creative Conversation Pecha Kucha Style: Where Art and Ideas Collide
10:30 am - 12:00 pm
Wednesday, October 2, 2013
Fort Point Room, Atlantic Wharf Building, 290 Congress St., Boston

'In honor of National Arts and Humanities Month, the Boston Cultural Council is teaming up with ArtWeek and Idea Week to present a Creative Conversation that highlights the intersection of the most exciting Art and Ideas in just 3-minute snippets! Featuring innovative community-based and art-inspired ideas while keeping with the Pecha Kucha style format, each specially selected speaker will talk for 3 minutes with just 10 slides – this is the ultimate power sampler for creative inspiration! Framed by the buzzing harbor and the new Rose Kennedy Greenway, Atlantic Wharf is the Waterfront District’s center of activity; right brain and left brain attendees are encouraged to “do lunch” together afterwards as they explore this exciting part of Boston!' I will be talking about Convergence: Boston Sculptors Gallery Exhibits on the Christian Science Plaza along with many other exciting artists and creatives in Boston. The event is free and open to the public.

Poised by The Myth Makers: Donna Dodson and Andy Moerlein

On view through Oct 25th: Connections/ Conexiónes

Donna Dodson & Andy Moerlein, co-curators.

In February 2014 members of the Boston Sculptors Gallery together with a group of Peruvian artists will present Visions/Visiónes, in Cusco, Peru, in the Qorikancha Museum, Santo Domingo Convent. This show will be curated by Argentinian artist and Boston Sculptors Gallery member Nora Valdez.

Milton Academy's Nesto Gallery is excited to host a preview exhibit of Visions/Visiones, titled ‘Connections/ Conexiónes,’ The Nesto show will bring together many of the artists who will be showing in the Qorinkancha Museum show. The Peruvian Convent and Museum are built on the foundation of one of the most important Inca temple sites near Machu Picchu. The Nesto Gallery exhibit will present work inspired by this confluence of cultures. Drawings, models and work that will be shown in Peru by Boston Sculptors Gallery members will hang beside art from many notable Peruvian artists.

Location: Nesto Gallery, Milton Academy, Art & Media Center (Lower Level)

Address: 170 Centre St, Milton, MA 02186 www.milton.edu/arts/nesto.cfm

Gallery Hours: Weekdays 8:30a-3:30p (closed October 11th through 14th)

Curators talk: Wednesday October 9th 9:15 to 10:00am in Greely Auditorium

Peruvian Culture Night: Friday October 18th 5:30p-7:30p. Free and Open to the Public

Participating artists from Peru: Ronald Alvan Alvites, Pablo Yactayo Chumpitaz , Jacob Sulca Gutierrez, Persi Narvaez Machicao, Jose Luis Morales Sierra, Ivan Rojas Tovar & Victor Zuniga.

Participating artists from Boston Sculptors Gallery: Caroline Bagenal, Kim Bernard, Murray Dewart, Donna Dodson, Peter De Camp Haines, Nancy Winship Milliken, Andy Moerlein, Nancy Selvage, Liz Shepherd, Nora Valdez, Joseph Wheelwright & Leslie Wilcox.

On view through Oct 31st: Convergence:

Boston Sculptors Gallery Exhibits on the Christian Science Plaza.

Check out these upcoming walks and talks on the plaza during the last month of the show. All tours meet at the entrance to The Mary Baker Eddy Library, 200 Mass Ave and walk around the sculptures that are installed on the plaza. The tours end at the bookstore, where the participants can purchase the catalog. The tours are free and open to the public.

Saturday Oct 5, 2013 @ 11am "Poetic Gestures and Material Surprises." Eric Sealine & Michelle Lougee will lead a guided tour of the Convergence sculptures in a morning conversation about adapting their materials and practices to the scale of the plaza. Eric's first language is architecture and responding to the site came naturally. Michelle incorporates plastic bags, such as the wrappers on the New York Times, into woven biomorphic shapes. Come and explore the exhibition with these two notable Boston Sculptors.

Monday Oct 14, 2013 @ 3pm "Sculpture- a Professional Opinion." Nick Capasso, Director of the Fitchburg Art Museum, will lead a tour of the exhibition on the plaza, commenting on the role of contemporary art, monumentality and siting sculpture in a public setting. This talk takes place during The Fenway Alliance’s 12th Annual Opening Our Doors on Monday, October 14, 2013—Greater Boston’s largest day of free cultural experiences.

Saturday Oct 19, 2013 @ 11am "New Visions & Fresh Perspectives - the future of public art in Boston." This tour will be led by Katelyn Littlejohn Kirnie, Visual Arts Manager, Rose Fitzgerald Kennedy GreenwayConservancy and Terry Catchpole, Member, Board of Directors, Arts & Business Council of Boston; and Member, Advisory Board, Downtown Boston Business Improvement District (BID).
Programming private public sites as well as publicly owned sites in Boston requires funding, community partnerships, politics and poetics. This dynamic team will discuss Convergence in the context of the past, present and the future strategies of making public art in Boston happen as they stroll through the Plaza project.

On Wednesday October 23rd, I will be speaking about Convergence at the Rotary Club of Boston. More info here. The group meets Every Wednesday from 12:00 - 1:30pm at McCormick and Schmick's Seafood Restaurant at the Boston Park Plaza Hotel , 34 Columbus Street, Boston, MA 02116

$20 for a served lunch or $5 for coffee.

From the website: 'Each week, we have a luncheon for members, guests and visiting Rotarians. Guests and walk-ins are always welcome and there is no need to notify us in advance.

Since our club was founded in 1909, the Rotary Club of Boston #7 has had over 5,000 speakers. Past speakers have included Boston's mayors, Massachusetts Governors, Red Sox coaches, presidents of Boston's colleges & universities, and corporate leaders, among others.

The principle for our luncheon speakers is to gather together Boston's leading citizens for lunch with top-notch speakers. The speakers are from Boston's business, cultural and political life.

They are a prime reason that we are willing to leave our offices and homes for an hour of friendship and discussion each week.

Come join our club to hear Boston's best speakers. You will leave a better informed Bostonian with a broader perspective. Plus, your participation will support our local and international philanthropic efforts, part of what makes Rotary respected worldwide.'

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Artist Statement

‘My artwork celebrates the mystical relationship between human beings and the animal kingdom. Because there were no icons of women in the church that I grew up in, my vision is to create them. Through hybrid female-animal forms that I sculpt in wood, I flesh out sensuality, sexuality and soul with a well-proportioned figurative vocabulary. The natural grain of the wood interacts with the form and shape of my sculptures in a descriptive way, suggesting nostrils, and nipples or garments and fabric textures. I often stylize each piece to enhance the girl, woman, princess, queen or goddess within. The mouths, or in some cases beaks, are closed symbolizing the mysteries they embody. These figures are sculpted in sizes ranging from the intimate to the monumental. I use color in both subtle and bold ways to activate each piece. My inspiration comes from ancient iconography and mythological imagery.’

About

Donna Dodson has been carving images out of wood for nearly 20 years. Her sculptures explore feminine beauty and evoke humor and playfulness but also grace, power and emotional strength. Her unique vision responds to the relation of animals to the human spirit that have existed since ancient times. Her figures are almost always female and range in size from the intimate to the monumental.

Dodson’s pre-med studies and her passion for Egyptian art led her to study wood and stone sculpture. African sculptures and Native American totems also influence her work.

She uses logs of osage orange wood from her grandfather’s farm in Illinois, and ash, cherry, locust and maple from New England.

Dodson has worked in a series using an elephant headed goddess to explore female figureheads in positions of power. Recently, Dodson created large scale outdoor pieces, engaging in a public dialogue about her work. The site became a more prevalent theme. Today, Dodson has returned to creating statement pieces such as a cardinal goddess for the women of the Catholic Church who aspire to be ordained and Madam President- a monument to the first female president of the USA.

Bio

Donna Dodson is an American sculptor who has exhibited her artwork around the world. Dodson has completed successful residencies in Verbier Switzerland, Cusco Peru, Keelung Taiwan and Ringkoebing Denmark. Donna is currently a Scholar at the Brandeis University Women’s Studies Research Center and a Fellow at the St Botolph Club in Boston. Dodson’s recent show, “Sheroes” at the Boston Sculptors Gallery was met with critical acclaim. Donna was a 2022 Fulbright US Scholar at Q21/MuseumsQuartier in Vienna Austria working as an artist in residence with her host institution Tricky Women/Tricky Realities, the world’s only animation festival for women. Dodson has won grants from the Puffin Foundation, Massachusetts Cultural Council, the New Hampshire Guild of Woodworkers and the George Sugarman Foundation. Her work is in the permanent collection of the World Chess Hall of Fame in St Louis Missouri, the Provincetown Art Museum, the Art Complex Museum and the Fuller Craft Museum in Massachusetts, The Noyes Art Museum in New Jersey and the Davistown Museum in Maine. Donna's work has been reviewed in the Boston Globe, Sculpture Magazine, The Daily Beast, Hyperallergic and Artnet. She is currently represented by the Abigail Ogilvy Gallery in Boston and Los Angeles. She is a former member of the Boston Sculptors Gallery. Dodson is a graduate of Wellesley College. Donna is a freelance writer whose articles in newspapers, magazines and blogs demonstrate the economic impact and global reach of the Boston arts sector. Her recent paper, “What do we call courageous women” was presented at the Society for Classical Studies annual meeting in 2022 and was published in Queering the Amazons a special issue of the Journal of Lesbian Studies.

Inspirations

"There is a crack in everything, that's how the light gets in."

-Leonard Cohen

"... I think one's art goes only as far and as deep as [one's] love goes..."

-Andrew Wyeth

"art is valuable because it challenges, inspires, and enables us to see ourselves in much more interesting ways"
-Mickey Cartin

" the thing that I had to do was to ... work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist."
-Ed Paschke

“Fashion is what seems beautiful now but looks ugly later; art can be ugly at first but it becomes beautiful later.”
-Steve Jobs

"...remember that collecting art is an act of love. It isn’t about what you pay for a work, or how rich (or not) you become when you one day sell it, but the depth of your enjoyment in the time you live with it."
-Abigail R. Esman

"[Patronage] is a gift, in the form of money, in exchange for [my] gift, in the form of music."

-Amanda Palmer

"Art is the crucial interface between the imagination and reality, the thing that makes life deeper and broader than what it might be without such insight."

-Todd Levin

"If they hadn't told me I was ugly, I would never have searched for my beauty."

-Gabourey Sidibe

"Never grow a wishbone, daughter, where your backbone ought to be."

-Clementine Paddleford

Great artists “must be shaken by the naked truths that will not be comforted. This divine discontent, this disequilibrium, this state of inner tension is the source of artistic energy.”

-Humphrey Trevelyan

"Life should be lived so vividly and intensely that thoughts of another life or of a longer life are not necessary."

-Marjory Stoneman Douglas

“When people say that poetry is a luxury, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language - and that is what poetry is.” Jeannette Winterson

Artistic Process

When I start a piece of work I need to evoke such a strong feeling about each piece that I can dare to listen to the piece, to make mistakes - to just create. It is the emotional investment in the act of creation that crystallizes the work for me.

Sometimes the idea or concept comes first, and I imagine what the piece will be when completed. More often I work from intuition. Once completed I see the intentions behind the piece, or the desire from which it is born. Artists who inspire me include Jessica Stockholder and Katharina Fritsch. Stockholder uses color as a transformational visual device, changing the way we see form. Fritsch creates sculptures of sacred figures that become pop-icons through her use of color. In the same way I work with various kinds and grains of wood accented by color.

My artwork is about self expression, autobiography, and self redemption. Each sculpture is independent and heroic, but each is connected to the body of my total work. Each is made greater and honored by its association with those that have preceded it, but keeps its own sacred identity. Each reflects my realization that I am a self-made woman.

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Wednesday, September 25, 2013

October News

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